Saturday, January 1, 2011

Get to Know 'Glee' Star Chord Overstreet (VIDEO)


Despite how much you Google, you can't always find out everything you want to know about your favorite 'Glee' stars. Trust us, we know.

Luckily, Fox has decided to help us out and release a handy video with 10 facts about its newest addition, Chord Overstreet.

Did you know he's a big sports buff? Or what musical instrument he plays? Well, here's your chance, Gleeks. We think he might be kidding aout the Riverdancing, though ...

Check out the video after the jump!

Chris Rock Roasts Oprah, Obama and Paul McCartney at the 'Kennedy Center Honors' (VIDEO)


Chris Rock Roasts Oprah, Obama and Paul McCartney at the 'Kennedy Center Honors'Oprah, the President, and a Beatle sitting together in a box. It already sounds like the set-up for a joke. And luckily, comedian Chris Rock had a few jokes ready.

Oprah Winfrey and Sir Paul McCartney were at 'The 33rd Annual Kennedy Center Honors' (Tue., 9PM ET on CBS) to be awarded for "lifetime contributions to American culture." President Barack Obama was just along for the ride. (Being president is not as important as being a British singer or hosting a talk show where you give away cars, clearly.)

Still, since the ceremony was held in D.C., the Prez got to hang out with Oprah and Sir Paul, in a box seat above the stage. And Chris Rock had a few quips involving Obama and Oprah. "I walk in this room, and it's an amazing feeling to look up and see the most powerful person in the world," Chris said. " ... And right next to her ... Barack Obama." Ouch! Mr. President, you have been zinged.

Chris continued with the jokes, shouting this to the audience: "OPRAH WINFREY IS SO RICH ... " There was a pause, and the crowd yelled back: " ... How rich is she?!" (We love that Chris was doing a classic comedy bit, by the way.) " ... She's so rich," Chris said, "if Oprah and Paul McCartney had sex, the SEC would have to approve it!" Okay, that's pretty good. We're not so much about the financial-based humor. But still, pretty good.

Lest we ignore the other honorees, three other artists received Kennedy awards tonight: Country singer Merle Haggard, composer Jerry Herman, and dancer and choreographer Bill T. Jones. ... Congrats to all!

Top 10 Horror Movies of 2010




I see more horror movies in a year than the average person does in two. I also review them for FEARnet. So here is a list that comes from a guy who knows and loves this stuff, but is also an opinionated whiner sometimes. Just like most horror fans.

Best Horror Films (yes, they're "ranked" but there's an eyelash separating most of these)

10. 'The Crazies' -- I still have legitimate nags about the final reel but they're not enough to ruin a surprisingly intense and well-presented tale of humanity gone loco. It sounds like high praise to call this film an improvement over the original, but it's not like the first flick is among Romero's best efforts.

9. 'Daybreakers' -- I was one of the few horror geeks who wasn't all that crazy about the Spierig brothers' 'Undead,' so it was with much enthusiasm that I found myself quite enjoying their sophomore effort. Sort of a vampire take on 'Gattaca,' it features some juicy performances, a few cool action bits, and some interesting ideas about futuristic vampirism. That's just fun.

8. 'The Last Exorcism' --Just when you thought the "occult possession" schpiel was as tired as the "found footage" narrative gimmick, hey, up pops a smart little indie that injects some new energy into both of those sub-genres. Strong performances and a creepy sense of dread help a lot, but it's the morality tale behind the scares that makes the flick so interesting.

7. 'Red, White & Blue' -- A bruisingly effective indie that asks you to empathize with three unsavory characters, but if you can, then you're in for one rough and unflinching flick. Certainly not a "fun" horror flick, but it punched me in the gut pretty hard. And I watch tons of harsh flicks.

6. '[REC] 2' -- Call it "more of the same" if you like, but if the second batch tastes as good as the first one ... what's there to complain about? As far as Part 2s go, this one deserves high credit for walking a deft balance between the stuff we know we want -- and the stuff we won't be expecting. Great monsters too!

5. 'Frozen' -- You don't have to "like" a bunch of characters in order to "empathize" with them, and it's the partially prickly demeanor of the three trapped characters that make the flick just a little more realistic. Much like 'Open Water' and 'Buried,' this one takes a very simple "hook" and stretches it out to make a nifty little snowbound thriller.

4. 'Splice' -- A slick but smart (enough) 'Frankenstein' update with Adrien Brody and Sarah Polley as two serious "science lovers." You can take that phrase a variety of ways, but first you'll enjoy a genre flick that's equal parts brainy, broad, and smoothly entertaining.

3. 'Shutter Island' -- Call it a "psychological thriller" or dismiss it as Martin Scorsese playing around with "genre" as a lark, but this is still one of the coolest, darkest, and most unexpectedly intense chillers of the year.

2. 'Let Me In' -- Despite a metric ton of skepticism on my part -- like you I adore the original film -- I found this one to be a very clever adaptation of both the original book and the Swedish film we've all been so darn protective of. Hell, this version even finds offers a few new wrinkles of its own, so while it's probably not an improvement over 'Let the Right One In,' it still makes for a rock-solid companion piece.

1. 'Black Swan' -- Both luridly artsy and unapologetically pulpy, this is a smart, sharp and rather creepy little character study that feels a little like several other films -- but is also a very unique beast in its own right. Bonus points for wonderful music, gorgeous women, and overt sexiness.

Notable omission! If I told you how many ways I've come close to seeing 'Rare Exports' (missed a screening, faulty screener disc, car trouble, you name it) you'd smack me. But several trusted friends and colleagues assure me that this weird Finnish import is something kinda special. So keep an eye out for it.

Also worthy of your attention, or at least some of it: 'Buried,' 'Devil,' 'Dread,' 'Hatchet 2,' 'The Human Centipede,' 'Lake Mungo,' 'Monsters,' 'Paranormal Activity 2,' and the goofy new 'Piranha' remake. (Also, if you watch 'Skyline' when it comes out on DVD, approach it like a horror flick and you might see why I liked it. I said might. ) Oh, and 'Resident Evil: Afterlife' is probably the best chapter since Part 1, if that means anything to you.

The List of Horror Shame (in no particular order of stank)

'The Black Waters of Echo's Pond' (wow)
'Cabin Fever 2' (stunning in its badness)
'Chain Letter' (just you wait for this flotsam to hit video)
'The Horde' (think the French can't make bad horror flicks?)
'Legion' (saw it twice; still don't know what went on)
'My Soul to Take' (palpably generic right down to the poster art)
'A Nightmare on Elm St.' (lazy, obvious, boring, plagiarized)
'The Wolfman' (production design notwithstanding)

Best Horror DVDs

1. 'Alien' Anthology
2. 'The Exorcist'
3. 'Psycho'
4. 'A Nightmare on Elm Street' (1984)
5. 'House of the Devil'

Top 10 Action Movies of 2010




2010 offered action fans plenty to choose from. Whether you like all-out fisticuffs with heads and guts flying, thrillers, nostalgia trips, comic geek-outs, comedy or futuristic flavor, you were sure to find something new at the local cineplex to whet your whistle at least every two weeks or so. It's way easier for me to put together a list of my favorite action movies from 2010 than, say, romantic comedies, even though I've probably seen more of the latter. (Public service announcement: rent or buy the fantastic French romantic comedy 'Heartbreaker' if you haven't already. Especially if you have a soft spot for 'Dirty Dancing.' Or hot French people. Or goofy and elaborate stunts. Or things that are great.)

There's no real formula at work here, just that these movies nailed me to my seat and left me slack-jawed with adrenaline buzzing through me long after the credits rolled. You might notice that there are a number of female protagonists doling out the ass-kickings on this list. Although some are fighting tooth and nail for justice or to exonerate themselves, others are just plain fighting -- let's not make it too political. For me, it's just as fun to pretend it's me causing chaos and blood loss like Evelyn Salt or Hit-Girl as it is for guys who want to play Rambo. And hey, Rambo is cool too. Or he was....

10. 'MacGruber'

Nothing is safe around MacGruber (Will Forte). Not his wife-to-be Casey, not his dream team of operatives who he assembles to bring down Dieter Von Cunth (Val Kilmer), and definitely not celery. 'MacGruber' got a bad rap from the get-go because of its connection to 'Saturday Night Live,' but the freaky hilarious flick has enough '80s-style action to make John McClane jealous. Plus, Kristen Wiig sings the theme song, which is totally frigging awesome and I want to sing it at karaoke now. Make it so, Universal!

9. 'Red'

'Red,' which is based on the graphic novel by Warren Ellis and Cully Hamner, is a gleefully bizarre action film that begins when "Retired Extremely Dangerous" government operative Frank Moses (Bruce Willis) is attacked in his own home by assassins. What follows is a crazy road trip across America as he assembles his old cronies, like Marvin (John Malkovich), the ultra-paranoid acid casualty who carries his favorite gun in a stuffed animal, and Victoria (Helen Mirren), the veddy proper retiree who misses her life of running and gunning, as well as the customer service rep he talks to when he's lonely, Sarah (Mary-Louise Parker), because she's in danger just by being in contact with him. A sketchy excuse, but one that turns out to be right. In the end, the black humor and comic book whiff-bam-boom! action had me chortling and hooting. Plus, Ernest Borgnine is in it!



8. 'Kick-Ass'

Our titular hero Kick-Ass, aka Dave Lizewski (Aaron Johnson) is better at getting his ass kicked than his name would imply. Luckily, he's saved by the slightly creepy Big Daddy (Nicolas Cage) and his pig-tailed protégé Hit-Girl (Chloe Moretz), who are both far more adept at not dying -- not to mention fighting crime -- than Kick-Ass. Director/screenwriter Matthew Vaughn and co-screenwriter Jane Goldman got a ton of ink about Hit-Girl's violent antics and her vocabulary, but frankly she is way cooler and more, well, kick-ass, than anyone else in the film. Here's hoping we get more Hit-Girl soon. In the meantime, Moretz's star is soaring, and rightfully so.

7. 'Scott Pilgrim vs. The World'

Watching 'SPvTW' is the sensory equivalent of walking directly into a video game boss sequence, watching Kaiju Big Battle fight in a warehouse that could catch on fire at any second, and chugging Four Loko to the 'TRON: Legacy' soundtrack all at the same time. (Or so I hear.) This is a good thing.



6. 'The Girl With The Dragon Tattoo/'The Girl Who Played With Fire'/'The Girl Who Kicked the Hornet's Nest'

For me, heroine Lisbeth Salander is the biggest draw for Stieg Larsson's Millennium trilogy books, and Noomi Rapace absolutely owns the screen whenever she's on it. Tiny but all sinew, spikes and ink, Lisbeth turns the tables on anyone who tries to victimize her. And she doesn't do it the legal way; she does it her way, which could include forced tattooing, setting people on fire, a good axe blow to the head, or any number of other grisly things. Also, hacking.

5. 'Machete'

If you've ever wanted to see a man rappel out of a window, down a wall, and burst through a window on the floor below using someone else's intestines, this is the movie for you. 'Machete' mixes a defiant political subtext with murderous low-riders, illegal alien-hunting politicians, the silent, wizened Danny Trejo as a machete-armed ex-Federale who gets all the ladies (despite his refusal to text) and a most bad-ass revolutionary played by Michelle Rodriguez to great and hilarious effect.



4. 'Inception'

This list would be remiss without including 'Inception,' if only for its slow motion, topsy-turvy ballet of a fight scene starring Joseph Gordon-Levitt. Other action scenes, such as one set in a snowbound fortress, are not nearly as interesting, if only because JGL's mid-air dance is so damn stunning.

3. 'The Town'

From the very beginning of 'The Town' and its creepy bank robbery scene -- all the robbers are wearing those insane nun get-ups you see in the ads -- to the end, well, I had no idea how 'The Town' would end. The romance and beefcake are welcome, but the real showstopper wasn't director/star Ben Affleck's abs but the final heist they try to pull off at the end.



2. 'Mesrine: Killer Instinct'

Full disclosure: I haven't seen part deux yet, but I am dying to, as 'Mesrine' was chock-a-block full of criminal mischief, slick film work, and sexypants Vincent Casselplaying one of France's most notorious gangsters. Break out of jail? Please! Jacques Mesrine broke out and then came back to break his friends out too!

1. 'Salt'

Phillip Noyce's experience with making top-notch political action thrillers served this movie well, but it's Angelina Jolie who makes 'Salt' so frigging awesome. I know, that's a very professional word to throw around, but the scale of her stunts and the way she ricochets around hallways and humans, using them as launching pads so she can achieve maximum ass-kicking velocity, is entrancing. 'Salt' also uses real-life locations in DC and New York City like St. Bartholomew's Church to great effect. Plus, she uses a maxi-pad to bandage a wound while she's on the run, and if that's not tough, I don't know what is.



What were your favorite action films of 2010?

Singer Teena Marie Dead at 54


Teena MarieVivien Killilea/WireImage
What initially appeared to be just another Twitter-spawned celebrity death hoax has turned out to be a sad reality. 
Teena Marie, the R&B singer known best for her hit songs "Lovergirl" and "I'm a Sucker for Your Love," has died at 54.
Following a rash of tweets proclaiming Marie's passing, her manager, Mike Gardner, confirmed the death of the Grammy-nominated singer-songwriter Sunday, after she was found dead in her Pasadena home by her daughter.
Pasadena police say she appears to have succumbed to natural causes, but the official cause of death won't be determined until the Los Angeles County coroner performs an autopsy.
Marie, born Marie Christine Brockert in Santa Monica, was signed to Motown Records in 1976. She had a string of hits in the late '70s and '80s, releasing 13 studio albums and developingd a partnership with the late Rick James that spawned "Fire & Desire."
Just hours before her death, on Christmas day, Marie headed to Twitter to wish fans a Merry Christmas.
"May Gods Light always shine on you and your family!" she wrote. "May you have the most joyous Holliday season ever! Merry Christmas and Happy New Year."

The 10 Greatest TV Characters of 20

There are a lot of characters on television, but there are only a handful that can be considered "great."

They're the ones that add a lot to the show they're on. The characters we can't imagine not existing in their show's universe. The characters that stand out because of that magical combo of good writing and a unique performance by the actor playing the character.

This is a list of the greatest characters from the tube in 2010. They're probably not the only great characters on their shows, but these are the ones that made the most memorable impact.

Note: you will not find Snooki on this list.

Truxton Spangler/Kale Ingram ('Rubicon'). It all starts with the names. Whoever came up with the names "Truxton Spangler" and "Kale Ingram" is probably some sort of genius. At the very least they're thinking outside the box when it comes to TV character names, and kudos to them for doing that.

But actors still have to inhabit those roles, and Michael Cristofer made Spangler the most interesting character of the year. He was weird and quirky and unpredictable, and then turned out to be evil and creepy. But in between all that he was also...good? OK, maybe "good" isn't the right word to use for someone who would bomb an oil tanker and do other evil deeds for decades, but when Spangler ordered a hit man to kill Will and then talked to Will as if nothing happened, it didn't seem weird. You really believed that in his own weird way he actually didn't want to hurt people like Will but just had to, you know?

And Kale (Arliss Howard): We thought he was a bad guy and then started helping Will (well, in his own way). Then we found out he was gay, and it wasn't made into one of those big deals it is sometimes made into on shows. It just made the character more complex.

It's going to be fun to see where these characters go in the second season. Oh, wait...

Human TargetGuerrero ('Human Target'). When we first met Guerrero (Jackie Earle Haley), we thought he was going to be the nerdy helper guy on 'Human Target.' Yes, he'd be vital to the team, but he'd be desk-bound. The guy who knew a lot about computers but would shy away from a fight and couldn't be menacing, with that slight build, rumpled clothing and round glasses. But then we found out that he can actually be a cold mother. A guy who wouldn't think twice about crushing your windpipe or shooting you in the back.

He's the geeky enforcer.

The fact that Guerrero is both a killer and the one who provides a lot of the comic relief on the show just makes the character that more interesting, dude.

Moz ('White Collar'). The Neil/Peter duo is one of the great teams on TV right now, but I always get a smile on my face when I see Moz (or Mozzie) come on the screen. In a way, Willie Garson is the MVP of this show. He's one of the those characters that was great on the sidelines, coming in once in a while to help Neil on a case or help him find Kate. But then he started to get involved in all the stories and then actually met Peter and Elizabeth too. That's a balancing act, because sometimes a minor character can get to be unwelcome if he's suddenly in every episode. But Garson makes it work, and the character is minor no more.

Moz was shot in the mid-season finale and he didn't look too good, but I'm going to go out on a limb and say that Moz is going to be just fine when the show returns in January.

Sherlock Holmes ('Sherlock'). It's obvious that Sherlock Holmes is a terrific character (good job Arthur Conan Doyle!), but how would he play in modern times? Pretty damn well, it turns out, with Benedict Cumberbatch doing a fine mix of the intellectual, the arrogant, and the odd.

John Locke ('Lost'). What else can be said about Terry O'Quinn? In this last season of 'Lost,' O'Quinn somehow found new ways of making sure John Locke remained one of the great characters in TV history. He had to not only play Locke, but he had to play Smokey pretending to be Locke, which surprised all of us. Even in the episodes that didn't quite work you still said to yourself, "wow, O'Quinn is so good, isn't he"? (and yes, it was hard not to include Michael Emerson here. He was great too!).

Mad MenBertram Cooper/Mrs. Blankenship ('Mad Men'). Oh, I could have just put "every person on 'Mad Men' here, because all of the characters are great and so are the actors who play them. But both Cooper and Blankenship were so fantastic when they showed up, even if they didn't show up that much.

We might not see Robert Morse as Cooper again (he left the firm this year) and we definitely won't be seeing Randee Heller as Blankenship again (sob), but what an impression they both left. It was funny seeing Cooper walking around the office without shoes or just sitting on the couch in the background reading a magazine, and the more Blankenship hung around smoking and saying odd things the more we found out about her (she slept with Roger?!?).

These were two fun, instantly-classic characters.

Burn NoticeSam Axe ('Burn Notice'). Any character played by Bruce Campbell is cool by default, and Sam Axe is no exception. He drinks too much beer, has problems with women, and gets Michael and Fiona in trouble sometimes. But he's also very talented and fiercely loyal to his friends.

Sam could have been the cliched sidekick, but Campbell makes him a lot more.

Hank Dalworth ('Terriers'). There's always a realistic scruffiness to the characters Donal Logue plays, characters who have screwed up lives (either in the past or the present), and Hank was no exception.

I say "was" because, like AMC did with 'Rubicon,' FX has decided not to give this show a second season.

Sigh.

Walter Bishop ('Fringe'). John Noble is one of those actors where you say to yourself "hmmmm, that was an interesting acting decision he made there."

Bishop is off-kilter and odd but also smart and emotional. The things that Bishop says and the way he says them to people, you really believe that he's a scientist who was once in a mental institution and happened to steal his son from an alternate dimension.

ChuckGeneral Beckman ('Chuck'). It must be hard to just be a character who says her lines on a screen that the other characters are looking at, but Bonita Friedericy somehow makes the character three dimensional.

It was also fun to see Beckman finally leave her office and actually mingle in the outside world and at the Buy More with Chuck and Casey and the gang. Who knew she had a lower body? We found out a lot more about this woman this past year.

Her first name? Diane.

Who do you think were the greatest TV characters this past year?